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In each of the questions an inference is given in bold which is then followed by three paragraphs. You have to find the paragraphs(s) from where it is inferred. Choose the option with the best possible outcome as your choice. Country's enonomic standard can be best adjudged by per capital income. Exports and imports, a swelling favourable balance of trade, investments and bank-balances, are not an index or a balance sheet of national prosperity. Till the begining of the Second World War, English exports were noticeably the greater than what they are today. And yet it England had greater national prospery today than it ever had. Because the income of average Englishmen, working as field and factory labourers, clerks, policemen, petty shopkeepers and shop assistants, domestic workers and other low-paid workers, has gone up. It is possible that while per capita real income is increasing per capita consumption of goods and services might be falling. This happens when the Govt. might itsef be using up the increased income for massive military buildup necessitating heavy production of arms and ammuntions. A rise in national income may occur as a result of increased spending on items such as defence. National income often rises in time of war, or the threat of war, because money is spent on weapons. This will push up GNP, but the people may be acutely short of goods to buy.

Directions : In the following questions, you have two brief passages with 5 questions following each passage. Read the pas sages carefully and choose the best answer to each question out of the four alternatives. PASSAGE-I (9. Nos. 191 to 195) A crucial element that defines the soap opera is the open ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran is "that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode." In 2012, Robert Lloyd of the Los Angeles Times wrote of daily dramas, "Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes, and conversations that a 22- episodes-per season weekly series inight dispense with in half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters, the apparent villains grow less apparently villainous." Soap opera storylines run con currently, intersect and lead into further developments. An individual episode of a soap opera will generally switch between several differ entconcurrent narrative threads that may at times interconnect and effect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end of season cliffhanger. A soap opera has the space for it to be more

Directions : In the following questions, you have two brief passages with 5 questions following each passage. Read the pas sages carefully and choose the best answer to each question out of the four alternatives. PASSAGE-I (9. Nos. 191 to 195) A crucial element that defines the soap opera is the open ended nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran is "that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode." In 2012, Robert Lloyd of the Los Angeles Times wrote of daily dramas, "Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic, indeed, the economics of the form demand long scenes, and conversations that a 22- episodes-per season weekly series inight dispense with in half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters, the apparent villains grow less apparently villainous." Soap opera storylines run con currently, intersect and lead into further developments. An individual episode of a soap opera will generally switch between several different concurrent narrative threads that may at times interconnect and effect one another or may run entirely independent of each other. Evening soap operas and serials that run for only a part of the year tend to bring things to a dramatic end of season cliffhanger. The economics of a soap opera form demands for it to have

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