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Padhai to karna hi hoga...

Padhai to karna hi hoga

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Can aur Could ka shi use karna seekho

A person walks away from his house at 8:00 am and observes his shadow to his right. Then, he turns towards his left and then again towards his right. Which direction is he facing now?

A child is looking for his father. He went 90 metres in the east before turning to his right. He went 20 metres before turning to his right again to look for his father at his uncle's place 30 metres from this point. His father was not there. From here he went 100 metres to his north before meeting his father in a street. How far did the son meet his father from the starting point ?

A child is looking for his father. He went 90 metres in the east before turning to his right. He went 20 metres before turning to his right again to look for his father at his uncle's place 30 metres from this point. His father was not there. From here he went 100 metres to his north before meeting his father in a street. How far did the son meet his father from the starting point?

#StudentTalk - Jaaniye kaise kiye Dipen ne apne padhai ke sabhi Doubts solve Doubtnut ke saath! :D

Jaaniye Regularly Spicy food khane se body par kya asar hoga..!!

Read the given passage carefully and answer the questions that follow. Certain words are printed in bold to help you locate them while answering some of these. When it comes to English books, it is authors like Kavita Kané, Utkarsh Patel, and, more recently, Saiswaroopa Iyer, who seem to have passionately taken up the cause of feminist revisionist mythology. Kané has written a string of books over the years that are determinedly feminist in nature. She picks the most unusual characters (sometimes even creates them!) to tell her readers what-may- have-been. Her first was titled Karna’s Wife: The Outcast’s Queen (2014), which told the story of Karna through his (fictional) wife, Uruvi. It is interesting that Kané chose to introduce an entirely new character to tell Karna’s story in the space of mythological fiction. The Mahabharata speaks of no one called Uruvi. Karna is married to Vrushali, Duryodhana’s charioteer’s sister, and to another woman named Supriya. Both are blink-and-miss characters, with little to say or do in the epic. But in Kané’s re-imagined world, Karna’s second wife is Uruvi. She is a woman passionately in love with her husband and plays an active role in his unfolding narrative. Here, we deal with not one but two subaltern voices – of the woman and of the low caste. Kane’s inspiration for this name seems to have come from some references in later Tamil literature, where Karna’s wife is named Ponnaruvi. However, it is conjectured that Ponnaruvi was an epithet for either Vrushali or Supriya or both. Kané’s next was Sita’s Sister (2014), where she constructed the life and character of the little-known wife of Lakshmana, Urmila. The Ramayana takes scant notice of her, and when it does, consigns her to what is essentially a 14- year long coma. But Kané imagined her as a living, breathing heroine who holds the fort when everything is crumbling and everyone important has left. Source: https://scroll.in/article/828515/indian- mythology-is-a-new-medium-of-choice- for-feminist-narratives-and-its-working) Given below is a possible inference that can be drawn from the facts stated in the last paragraph. You have to examine the inference in the context of the passage and decide upon its degree of truth or falsity. 'The Ramayana hardly takes any notice of Lakshmana's wife Urmila who held the fort during an attack and was heavily injured by the falling rubble.'