Before You Read|Kingdoms & Languages|Archaelogical Excavations|Why Mesopotamia was important to Europeans?|Mesopotamia and its Geography|The Significance of Urbanism|The Warka Head|Movement of good into cities|The development of Writing|The system of Writ

Early written symbols were based on pictographs (pictures which resemble what they signify) and ideograms (symbols which represent ideas). Ancient Sumerian, Egyptian, and Chinese civilizations began to adapt such symbols to represent concepts, developing them into logographic writing systems. Pictographs are still in use as the main medium of written communication in some non-literate cultures in Africa, the Americas, and Oceania. Pictographs are often used as simple, pictorial, representational symbols by most contemporary cultures. Pictographs can be considered an art form, or can be considered a written language and are designated as such in Pre-Columbian art, Native American art, Ancient Mesopotamia and Painting in the Americas before Colonization. One example of many is the Rock art of the Chumash people, part of the Native American history of California. An early modern example of the extensive use of pictographs may be seen in the map in the London suburban timetables of the London and North Eastern Railway, 1936-1947, designed by George Dow, in which a variety of pictographs was used to indicate facilities available near each station. Pictographs remain in common use today, serving as pictorial, representational signs, instructions, or statistical diagrams. Because of their graphical nature and fairly realistic style, they are widely used to indicate public toilets, or places such as airports and train stations. Because they are a concise way to communicate a concept to people who speak many different languages, pictograms have also been used extensively at the Olympics since 1964 Summer Olympics, and are redesigned for each set of games. Pictographs can often transcend languages in that they can communicate to speakers of a number of tongues and language families equally effectively, even if the languages and cultures are completely different. This is why road signs and similar pictographic material are often applied as global standards expected to be understood by nearly all. A standard set of pictographs was defined in the international standard ISO 7001: Public Information Symbols. Other common sets of pictographs are the laundry symbols used on clothing tags and the chemical hazard symbols as standardised by the GHS system. Pictograms have been popularised in use on the web and in software, better known as ‘icons’ displayed on a computer screen in order to help users navigate a computer system or mobile device. Early civilisations used symbols to represent:

Early written symbols were based on pictographs (pictures which resemble what they signify) and ideograms (symbols which represent ideas). Ancient Sumerian, Egyptian, and Chinese civilizations began to adapt such symbols to represent concepts, developing them into logographic writing systems. Pictographs are still in use as the main medium of written communication in some non-literate cultures in Africa, the Americas, and Oceania. Pictographs are often used as simple, pictorial, representational symbols by most contemporary cultures. Pictographs can be considered an art form, or can be considered a written language and are designated as such in Pre-Columbian art, Native American art, Ancient Mesopotamia and Painting in the Americas before Colonization. One example of many is the Rock art of the Chumash people, part of the Native American history of California. An early modern example of the extensive use of pictographs may be seen in the map in the London suburban timetables of the London and North Eastern Railway, 1936-1947, designed by George Dow, in which a variety of pictographs was used to indicate facilities available near each station. Pictographs remain in common use today, serving as pictorial, representational signs, instructions, or statistical diagrams. Because of their graphical nature and fairly realistic style, they are widely used to indicate public toilets, or places such as airports and train stations. Because they are a concise way to communicate a concept to people who speak many different languages, pictograms have also been used extensively at the Olympics since 1964 Summer Olympics, and are redesigned for each set of games. Pictographs can often transcend languages in that they can communicate to speakers of a number of tongues and language families equally effectively, even if the languages and cultures are completely different. This is why road signs and similar pictographic material are often applied as global standards expected to be understood by nearly all. A standard set of pictographs was defined in the international standard ISO 7001: Public Information Symbols. Other common sets of pictographs are the laundry symbols used on clothing tags and the chemical hazard symbols as standardised by the GHS system. Pictograms have been popularised in use on the web and in software, better known as ‘icons’ displayed on a computer screen in order to help users navigate a computer system or mobile device. What is the passage mainly about?

Early written symbols were based on pictographs (pictures which resemble what they signify) and ideograms (symbols which represent ideas). Ancient Sumerian, Egyptian, and Chinese civilizations began to adapt such symbols to represent concepts, developing them into logographic writing systems. Pictographs are still in use as the main medium of written communication in some non-literate cultures in Africa, the Americas, and Oceania. Pictographs are often used as simple, pictorial, representational symbols by most contemporary cultures. Pictographs can be considered an art form, or can be considered a written language and are designated as such in Pre-Columbian art, Native American art, Ancient Mesopotamia and Painting in the Americas before Colonization. One example of many is the Rock art of the Chumash people, part of the Native American history of California. An early modern example of the extensive use of pictographs may be seen in the map in the London suburban timetables of the London and North Eastern Railway, 1936-1947, designed by George Dow, in which a variety of pictographs was used to indicate facilities available near each station. Pictographs remain in common use today, serving as pictorial, representational signs, instructions, or statistical diagrams. Because of their graphical nature and fairly realistic style, they are widely used to indicate public toilets, or places such as airports and train stations. Because they are a concise way to communicate a concept to people who speak many different languages, pictograms have also been used extensively at the Olympics since 1964 Summer Olympics, and are redesigned for each set of games. Pictographs can often transcend languages in that they can communicate to speakers of a number of tongues and language families equally effectively, even if the languages and cultures are completely different. This is why road signs and similar pictographic material are often applied as global standards expected to be understood by nearly all. A standard set of pictographs was defined in the international standard ISO 7001: Public Information Symbols. Other common sets of pictographs are the laundry symbols used on clothing tags and the chemical hazard symbols as standardised by the GHS system. Pictograms have been popularised in use on the web and in software, better known as ‘icons’ displayed on a computer screen in order to help users navigate a computer system or mobile device. Which of the following is an early example of use of pictographs in modern times?

Early written symbols were based on pictographs (pictures which resemble what they signify) and ideograms (symbols which represent ideas). Ancient Sumerian, Egyptian, and Chinese civilizations began to adapt such symbols to represent concepts, developing them into logographic writing systems. Pictographs are still in use as the main medium of written communication in some non-literate cultures in Africa, the Americas, and Oceania. Pictographs are often used as simple, pictorial, representational symbols by most contemporary cultures Pictographs can be considered an art form, or can be considered a written language and are designated as such in Pre-Columbian art, Native American art, Ancient Mesopotamia and Painting in the Americas before Colonization. One example of many is the Rock art of the Chumash people, part of the Native American history of California. An early modern example of the extensive use of pictographs may be seen in the map in the London suburban timetables of the London and North Eastern Railway, 1936-1947, designed by George Dow, in which a variety of pictographs was used to indicate facilities available near each station. Pictographs remain in common use today, serving as pictorial, representational signs, instructions, or statistical diagrams. Because of their graphical nature and fairly realistic style, they are widely used to indicate public toilets, or places such as airports and train stations. Because they are a concise way to communicate a concept to people who speak many different languages, pictograms have also been used extensively at the Olympics since 1964 Summer Olympics, and are redesigned for each set of games. Pictographs can often transcend languages in that they can communicate to speakers of a number of tongues and language families equally effectively, even if the languages and cultures are completely different. This is why road signs and similar pictographic material are often applied as global standards expected to be understood by nearly all. A standard set of pictographs was defined in the international standard ISO 7001: Public Information Symbols. Other common sets of pictographs are the laundry symbols used on clothing tags and the chemical hazard symbols as standardised by the GHS system. Pictograms have been popularised in use on the web and in software, better known as ‘icons’ displayed on a computer screen in order to help users navigate a computer system or mobile device. Which of the following statements is NOT true ?

From 1600 to 1757 the East India Company's role in India was that of a trading corporation which brought goods or precious metals into India and exchanged them for Indian goods like textiles and spices, which it sold abroad. Its profits came primarily from the sale of Indian goods abroad. Naturally, it tried constantly to open new markets for Indian goods in Britain and other countries. Thereby, it increased the export of Indian manufacturers, and thus encouraged their production. This is the reason why Indian rulers tolerated and even encouraged the establishment of the Company's factories in India. But, from the very beginning, the British manufacturers were jealous of the popularity that India textiles enjoyed in Britain. All of a sudden, dress fashions changed and light cotton textiles began to replace the coarse woolens of the English. Before, the author of the famous novel, Robinson Crusoe, complained that Indian cloth had "crept into our houses, our closets and bed chambers, curtains, cushions, chairs, and at last beds themselves were nothing but calicos or India stuffs". The British manufacturers put pressure on their government to restrict and prohibit the sale of Indian goods in England. By 1720, laws had been passed forbidding the wear or use of printed or dyed cotton cloth. In 1760 a lady had to pay a fine of 200 for possessing an imported handkerchief! Moreover, heavy duties were imposed on the import of plain cloth. Other European countries, except Holland, also either prohibited the import of Indian cloth or imposed heavy import duties. In spite of these laws, however, Indian silk and cotton textiles still held their own in foreign markets, until the middle of the eighteenth century when the English textile industry began to develop on the basis of new and advanced technology Which source is cited by the author to argue that Indian textile was in huge demand in 18th century England ?